überschwenglich dargestellt - перевод на Английский
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überschwenglich dargestellt - перевод на Английский

1963 PLAY WRITTEN BY PETER WEISS
The Persecution and Assasination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade; Marat/sade; The Persecution and Assassination of Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade; The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade; The Marat/Sade; The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum at Charenton Under the Direction of the Marquis de Sade; Die Verfolgung und Ermordung Jean Paul Marats dargestellt durch die Schauspielgruppe des Hospizes zu Charenton unter Anleitung des Herrn de Sade; Marat Sade; The Inmates of the Asylum of Charenton Under the Direction of the Marquis De Sade; Die Verfolgung Und Ermordung Jean Paul Marats
  • Saint-Maurice]]
  • ''Marat/Sade'' production at the [[Theatre of NOTE]], 2000, directed by [[Brad Mays]]
  • ''Marat/Sade'' production at the [[University of California, San Diego]], 2005, directed by Stefan Novinski
  • ''Marat/Sade'' production at the [[State University of New York at Fredonia]], 2008, directed by James Ivey

profusely illustrated      
überschwenglich dargestellt
überschwenglich dargestellt      
(new spell.=überschwänglich dargestellt) profusely illustrated, contains many illustrations, contains many pictures or diagrams

Википедия

Marat/Sade

The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade (German: Die Verfolgung und Ermordung Jean Paul Marats dargestellt durch die Schauspielgruppe des Hospizes zu Charenton unter Anleitung des Herrn de Sade), usually shortened to Marat/Sade (pronounced [ma.ʁa.sad]), is a 1963 play by Peter Weiss. The work was first published in German.

Incorporating dramatic elements characteristic of both Antonin Artaud and Bertolt Brecht, it is a depiction of class struggle and human suffering that asks whether true revolution comes from changing society or changing oneself.